Anália Moraes (b. 1994, São Paulo) lives and works in Ilhabela, Brazil.
Her work in sculpture, drawing, and photography investigates speculative notions of entropy, transformation, and symbiosis. She uses clay, glass, minerals, resins, and pigments as substances that synchronize their elementary properties with forms that beguilingly take on human and natural, organic and inorganic characteristics; from earthly matter to metaphysical existence.
She studied Fine Arts at the Panamerican School and Manual Modeling at the Ceramic Arts Institute of the Mokiti Okada Foundation. She recently participated in the collectives: Volátil (Espaço Alto, 2023), Mesmo Estando Separados (2023, Ateliê 397), and Entre Tempos e Carcaças (2022, C.A.M.A).